A friend
of mine called Ellen (hi!) taped me the new album of Cataract from Switzerland
which will be released on the American label Ferret in late September. To be
honest, I only knew the band by name before, but this album really rocks! All
you guys into metalcore out there must check it out because it’s definitely
worth it. So when the guys played a show together with Ensign and Grade I asked
three of them (Michi, Bass; Ricki, Drums and Gregor, Guitar) some stuff about
the upcoming release of ‘Golem’, that brutal piece of music…
Ok guys, Ellen taped me your album ‘Golem’ and I’m really impressed,
heavy as shit! The production is really killer! As it is not yet released, what
can you tell me about it?
Michi:
Thanks! When it comes to the production, the music was
basically recorded at Alpha Omega Studios in Italy which is a very nice studio
in the mountains, really great. The vocals were recorded in Würzburg, Germany,
right? Well, they were recorded somewhere in Germany, haha. It was a vocal
studio, which means a studio special for vocals, and the whole thing was mixed
in the US at Tracks East, New Jersey, and it was mastered at West West, also in
the US. So it really should sound good after all these circumstances.
Gregor:
About Tracks East, there already were bands like Hatebreed, Buried Alive,
Turmoil, who are kind of idols to us, so we thought about doing something there,
too, and we are very satisfied with the result.
Ricki:
In the beginning I was a little bit critical about the
whole thing, to spend a lot of money and fly over there, because Simon went
there, our vocalist went there, and Sandro from the studio went there, too. You
know, you have to pay all that. So at first I was thinking like that’s a bit
expensive, we can do that here, too, but Simon wanted to go there desperately
and the others wanted to do that, too. And it really paid off, I didn’t think
that you can make so much out of it. You know, I heard the recordings from the
studio where we kinda mixed it a little bit, like a rough mix, but the
difference to that what the guy at Tracks East did and also the one mastering it
is incredible.
Michi:
It’s really a huge difference.
So did
you have to pay the whole recording on your own or did the label help you out?
Or did you send the recordings to labels to get a deal?
Ricki:
How did that all turn out? Well we didn’t really promote
the recordings or something, here were interested people who told us they wanted
to do the record, but not really definite. We recorded a demo with four tracks
that we sent out, but there was no definite offer to that one. But we thought we
should do the recordings first for the album, because we could send them out.
Because so we have something in our hands to give them and ask them to release.
We didn’t think that everything would be finished, but the recordings went
faster than we had expected. We played together with Nora in Rome on a festival,
and Carl (Ferret) liked it very much and came up to us and asked us if we would
like to release it on his label. Actually we didn’t really have the guts to
ask him. You now, it was our dream to have an American label, because we want to
gain a foothold in the US, and with an European label that is very hard, the
label has to have very good connections to make it work. So it was our dream,
and he comes up to us and asks us.
Michi:
I mean with Ferret, nothing better could have happened at
the moment. There are other bands on that label that will be bigger in the
future, and I think that’s a chance for us, too. And also the philosophy of
Ferret suits us very much. With that label everything’s great.
Ricki:
What I could add is that Relapse, a grindcore label, was
also interested a little bit and asked us to send them some stuff, so we had to
decide, because Carl asked us if we wanted to sign, and we didn’t hear
anything from the guys from Relapse, I don’t know if they had our stuff at
that time, and we had to decide if we wanted that at all. I mean, for us as a
hardcore band Ferret is much better, because there are bands on that label that
play a similar sound.
I
think that’s right, because Relapse is more a metal label in my eyes, and
Ferret is more hardcore based, so that’s better for a hardcore band in my
opinion.
Ricki:
What I heard is that by now Relapse sign hardcore bands,
too. I mean Relapse is a pure underground label, and I think a lot of hardcore
kids think that it’s just a metal label, and I think that there’s probably a
lack of acceptance, I don’t know if I’m right, because they might think
‘Oh, Cataract is on Relapse.’ They might know stuff like Dying Foetus or
Mortician and then they think ‘That’s not for me.’
Michi:
Dying Foetus, haha.
Ricki:
I mean with Ferret, we are among ourselves., you
know.
Michi:
We are all absolutely happy with Ferret, haha.
Ricki:
Did you hear that Carl?
(Laughter)
So did
you already talk with them about a tour with other Ferret bands in the US or in
Europe?
Michi:
Well if that’s possible we plan to go to the US in April.
I mean the schedule is set, but we have to see if it’s possible for all of us,
you know with holiday and school and stuff. But that’s the only problem so
far. We have the offer and we basically could do it.
Ricki:
We really want to do that. You know we talked about that
when they hang around with us, during a day off, and we told them what we’d
like to have from that deal, which was the he does the whole promotion.
Michi:
That was
important.
Ricki:
That we know the record is out and people know that, and we
also wanted that we can go on tour, especially in America. And he said he wanted
to make the record and it should sound good.
Michi:
I mean for Ferret it’s also not that bad, because we are
their first band from Europe, and I think we can help each other. So it was cool
for both sides. We hope that the US tour will take place.
Gregor:
It is also some kind of promotion for Europe. You know,
Americans are always intolerant of European bands. Maybe they keep an eye on the
European bands, because there are so many great bands here.
When
I was on your homepage around two weeks ago, it was quite different than it is
now, it had a black background and you some pentagrams here and there. Did you
do that because you have a metal background or was that more a joke?
Ricki:
It was no joke. I mean you can talk for hours about the
pentagram, you know it’s a magic symbol that stands neither for something good
nor for something bad, how you use it depends on the individual. People just
consider us as a metal band in Switzerland, because there’s a webzine in
Switzerland where you can find discussions about old school, if metal can be a
part of hardcore and so on, but all that doesn’t matter to us, because we make
music for those people that like this sound, I mean since Rorschach this sound
came over, and back then metal somehow got a part of hardcore, and there are
bands that are even more metal than us, but that still have a total hardcore
attitude. I don’t know, on our website it’s surely more a joke.
Michi:
I mean you can reach so many people with such a page, so it
doesn’t make sense if you just head into one direction. We try to be a little
bit more open. When have you been on our page?
Around
two weeks ago, when it still had a black background, but when I checked it out
today, the background was white.
Michi:
Yeah, right. Now it’s like a concept. The layout of the
CD will be quite similar to that of the homepage, well, actually it’s the
other way round, the page is similar to they CD, haha. We hope that one can
recognize it and I think it’s working pretty good. Maybe it has no longer that
metal touch it used to have, but it’s more modern now and it’s better for
us.
The title
of the record will be ‘Golem’, how did you come up with that title? Come on,
you stole it from Protector, right?
(Laughter)
Ricki:
Haha, no we didn’t steal it from Protector. We were
thinking about thousands of titles, by the way, it was the same with the name of
the band. Nothing seemed to be cool with everybody in the band at first, but
then… Hey, how did we actually come up with ‘Golem’?
Michi:
Hey, it was you how came up with that title, haha.
Ricki:
No no, ‘Golem’ was one of the first titles, I think
Simon came up with it. But then we dropped it and thought about other titles…
Michi:
‘Source of the collapse.’ Beretta 2000 also was one of
the titles, haha.
Ricki:
That was the working title. Then we said something like
‘Babylon’ which we thought was pretty cool, but there are so many albums out
with Babylon in the title, and there was just an album released called Babylon,
but Babylon was pretty much the title, but then started informing a little bit
about Babylon, with history books and the internet to find out what it means,
and somehow there was no connection to the music. Also people outside the band
whom we asked how they like that title didn’t like it that much because it is
used too often. I think Earth Crisis released something with Babylon in it.
‘Gomorrah’s
season ends.’
Michi:
Yeah, right.
Ricki:
Then somehow I came up with ‘Golem’ again and that
title has a connection to the music. Well, some kind of connection, I mean you
can interpret everything, but I think a Golem is something threatening. You know
the famous Golem, the monster is something threatening. So I think that fits to
the music.
Michi:
The Golem didn’t take any
shit.
Ricki:
You now, Golem were some kind of monsters made out of clay,
and most people only know the bad monster that destroyed the city, but basically
it was different. You know I have an old book about myths ghost and all this
crap, and in that book Golems were described as monsters made out of clay that
were created to work. When they started working they were able to learn, when
they read books they became more intelligent. And then there was this one who
became extremely intelligent, because their master gave him more and more books
and told him to read them so that he should become like a human being, and when
he became more and more human he found out that he’s basically just a slave
and then he freaked out, smased the city, Golem dead.
(Laughter)
Ricki:
In the first place it should sound good and go hand in hand
with the music.
How about the Swiss scene, would you say that it’s good, are there
zines and clubs?
Michi:
Well, in Switzerland we play not that much. Most of the
shows we play in Germany. I mean Switzerland is a lot smaller than Germany,
there are just a few clubs, about 80 people come to a show and it’s the same
people every time. I mean it’s nice to play at home, but it doesn’t get us
any further, and it doesn’t get the people any further, they don’t want to
see a Cataract gig every week. Our vocalist is from Germany, so he knows more
people there than we, and he has some connections so that we can play in
Germany. I think we played a couple of times in Switzerland, but for the most
part we played in Germany.
Ricki:
We think about playing two or three times a year in
Switzerland, otherwise it’s too much for the people and they’re not
interested. We want that they are happy if they get to see us and not that they
think ‘Oh God, these guys again.’ At the moment there are not that much
bands in Switzerland. Well, a year or two ago it was different, there were so
many bands. But there are more places where you can play, but on a regular basis
there are only one or two places. I mean the network exists, but often there’s
a lack of people. In Zürich for example it’s sad that there’s no club that
does shows regularly where people can go to. Some time ago it was different,
there were more shows and more people went there if the show was announced two
weeks before.
Michi:
It’s sad because Zürich is a pretty big city, a lot of
young kids who would like to see more going on.
Ricki:
I mean people are interested, if a bigger hardcore band is
playing the club is packed. There are also bars where they play that kind of
music, and a lot of people go there.
Michi:
Yeah, but there are a lot of guys with tattoos and beer
bellies around 40 in there, but nevertheless it’s cool to drink a beer with
them at times.
The
Motörhead road crew.
Michi:
Yeah, haha, but that’s cool.
When will the new record be
released?
Michi:
The CD should be released at the end of October, but you
know how it is… We hope that it’s out until then. There will be a vinyl for
that record, too, but we don’t know yet where it will come out.
So Ferret won’t do the
vinyl?
Gregor:
No, it’s probably on a European
label.
Michi:
But we don’t know which one
yet.
Ricki:
I mean Carl has to agree. The plan is that some label
releases our album on vinyl and at the same time takes the Ferret stuff into
their distribution.
Any interested labels so far?
Ricki:
There are some people that are interested. We have our
favourite label but haven’t heard from that one for some time now. So we will
wait some more time and if he doesn’t respond that’s through with him. But
he will be pretty pissed then. Lately we’ve been playing at a big festival in
Belgium and there were a lot of VIPs. After the festival we had about five or
six offers from different labels…
Michi:
That was great, haha.
Ricki:
The labels said that they wanted to do it. Well we have a
label for sure, but we want to make it the way it suits us perfectly. The label
should do something for us, that’s our goal.
Cool, I can’t think of
any more questions…
Michi:
It’s good to talk about the new record before it’s
coming out. You know, normally interview go like this: ‘Where do you come from,
how old are you, …’. This interview was different, it’s good to talk about
the record.
Ok, that’s the interview, check out the album when it’s out, it’s
really cool, so don’t miss that one.
(Stefan)